![]() Moskowitz University of South Dakotaĭrawing on his many years of studio experience, composer/performer/producer Moorefield (performing arts technology, Univ. Lower-division undergraduates through faculty, including students in technical programs general readers. The book concludes with a discussion of the role of the producer in hip-hop music, here examining the remix and mash-up tracks. He enhances the discussion by including several other producers: Brian Wilson, Berry Gordy, Frank Zappa, Trent Reznor. Moorefield deals primarily with how these producers changed the recording experience from a "document creating" process to a "creative endeavor," but along the way he provides a thorough history of the evolution of modern recording technology. He achieves this through an in-depth examination of several seminal producers-Phil Spector and his Wall of Sound, George Martin and his work with the Beatles, Brian Eno and his work with Roxy Music. The author focuses on the evolution of the producer's role from project facilitator to sound creator. ![]() Since the advent of magnetic tape, the record producer has played an ever-increasing role in the creation of popular music. of Michigan) grapples with the changing role of the popular-music producer over the past 35 years. ![]()
0 Comments
Leave a Reply. |